Music Choices Most Eclectic

The New York Times

“Perhaps only a figure with repertoire tastes as idiosyncratically intellectual as the conductor and Bard College president Leon Botstein would found a new ensemble called The Orchestra Now and perform such rarely heard composers as Frank Martin and Anton Rubinstein. Under the direction of Mr. Botstein and his expansive musical palate, the programming of this new orchestra echoes that of the storied American Symphony Orchestra but is populated with a young group of students who attend Bard and play regularly in New York City.

Now in its third season, The Orchestra Now will perform an intriguing program at Carnegie on Thursday that includes Bartók’s classic “Concerto for Two Pianos, Percussion, and Orchestra” with soloists Anna Polonsky and Peter Serkin, but also two substantive curiosities: the Turkish composer Ahmed Adnan Saygun’s snarling Fourth Symphony, and László Lajtha’s Symphony No. 7, a colorfully stirring commemoration of the suppressed 1956 Hungarian Revolution.” —William Robin

Photo by David DeNee

THE ORCHESTRA NOW SPRING SEASON PRESENTS FIVE NEW YORK CITY CONCERTS MARCH 16 – MAY 20, 2018

Appearances Include Guest Pianists Peter Serkin and Anna Polonsky at Carnegie Hall, Performances at Jazz at Lincoln Center’s Rose Theater, The Metropolitan Museum of Art, and Two Free Concerts at the Great Hall at Cooper Union and City College Center for the Arts

Plus an All-Stravinsky Program at the Fisher Center at Bard College

Annandale-on-Hudson, New York, March 1, 2018 The Orchestra Now (TŌN) will feature a prolific spring season offering no less than five concerts in New York City beginning on March 16, when associate conductor James Bagwell leads a FREE concert of works by Bizet, Pärt, and Virgil Thomson at The Great Hall at Cooper Union, part of the Orchestra’s ever popular and family-friendly Around Town series. The concert will be repeated at Hudson Hall in Hudson, NY on March 18.

Music director Leon Botstein conducts the next Manhattan performance on March 29: Berlioz’s Symphonie fantastique in the final installment of TŌN’s Rose Theater series at Jazz at Lincoln Center’s Frederick P. Rose Hall. He then leads an all-Stravinsky program featuring the composer’s The Rite of Spring as part of the Orchestra’s residency at Bard College on April 14-15. Guest conductor Jan Latham-Koenig, artistic director of Mexico’s Orquesta Filarmónica de la UNAM, will conduct the Orchestra’s second FREE concert this spring, a program of Schubert’s “Unfinished” Symphony No. 8 and works by Vaughan Williams and Prokofiev at Aaron Davis Hall on April 20. On May 3, Botstein returns to the podium for TŌN’s final Carnegie Hall concert this season, an evening featuring Bartók’s Concerto for Two Pianos with special guests Anna Polonsky and world-renowned Grammy Award-winner Peter Serkin.

The Orchestra’s last New York City concert this season is titled Debussy & French Painting: Beyond Realism, an afternoon comparing Debussy’s Nocturnes and the artwork of the French Impressionists as part of TŌN’s Sight & Sound series at The Metropolitan Museum of Art. The series’ most recent program, Shostakovich, Michelangelo & the Artistic Conscience, played to a sold-out audience and was broadcast live on The Met’s Facebook page.

Full details for each of TŌN’s spring performances are included below.

AROUND TOWN FREE CONCERTS
Bizet’s Symphony in C
Fri. Mar 16, 2018 at 7:30 pm at The Great Hall at Cooper Union
Sun. Mar 18, 2018 at 3 pm at Hudson Hall
James Bagwell, conductor
Pärt: Fratres
Virgil Thomson: The Plow that Broke the Plains Suite
Bizet: Symphony in C

Tickets: All Around Town concerts are FREE, no tickets necessary. RSVPs can be made one month before each concert at theorchestranow.org or by calling The Orchestra Now at 646.237.5034.

TŌN AT ROSE THEATER SERIES, Jazz at Lincoln Center’s Frederick P. Rose Hall
Berlioz’s Symphonie fantastique
Thu. Mar 29, 2018 at 7:30 pm
Leon Botstein, conductor
Walter Braunfels: Fantastic Appearances of a Theme by Berlioz
Berlioz: Symphonie fantastique

Tickets, starting at $25, may be purchased online at www.jazz.org, by calling CenterCharge at 212.721.6500, or in person at the Jazz at Lincoln Center box office on the ground floor of the Time Warner Center, Broadway at 60th Street.

THE FISHER CENTER SERIES AT BARD COLLEGE, Sosnoff Theater
Stravinsky’s The Rite of Spring
Sat. Apr 14, 2018 at 8 pm
Sun. Apr 15, 2018 at 2 pm
Leon Botstein, conductor
Katherine Pracht, mezzo-soprano
Jonathan Beyer, baritone
Bard College Chamber Singers & Bard Festival Chorale
Members of the Bard College Conservatory Orchestra
All-Stravinsky:
Funeral Song
Symphony of Psalms
Requiem Canticles
The Rite of Spring

Tickets, starting $25, may be purchased by calling the box office at 845.758.7900, in person at the Fisher Center box office, or by visiting the website at fishercenter.bard.edu.

AROUND TOWN FREE CONCERTS
Schubert’s Unfinished Symphony
Fri. April 20, 2018 at 7 pm at City College Center for the Arts at Aaron Davis Hall
Jan Latham-Koenig, conductor
Vaughan Williams: Fantasia on a theme by Thomas Tallis
Schubert: Symphony No. 8, ‘Unfinished’
Prokofiev: Romeo and Juliet Suite

Tickets: All Around Town concerts are FREE, no tickets necessary. RSVPs can be made one month before each concert at theorchestranow.org or by calling The Orchestra Now at 646.237.5034.

CARNEGIE HALL SERIES, Stern Auditorium/Perelman Stage
Bartók’s Concerto for Two Pianos
Thu. May 3, 2018 at 7 pm
Leon Botstein, conductor
Peter Serkin, piano
Anna Polonsky, piano
László Lajtha: Symphony No. 7, ‘Revolution’
Bartók: Concerto for Two Pianos, Percussion, and Orchestra
Ahmed Adnan Saygun: Symphony No. 4

Tickets, starting at $25, may be purchased online at www.carnegiehall.org, by calling CarnegieCharge at 212.247.7800, or in person at the Carnegie Hall box office at 57th and Seventh.

SIGHT & SOUND SERIES AT THE METROPOLITAN MUSEUM OF ART
The Grace Rainey Rogers Auditorium
Sun. May 20, 2018 at 2 pm
Leon Botstein, conductor
Members of the Bard Festival Chorale
Debussy & French Painting: Beyond Realism
This program explores how Debussy’s works and those of Manet, Degas, and Whistler—who created his own series of atmospheric scenes that he labeled “nocturnes”—express different artistic responses to nature in music and painting. As with all Sight & Sound concerts, on-screen artworks are staged in a lively discussion alongside musical excerpts performed by the Orchestra, followed by a full performance and audience Q & A.

Presented in conjunction with the exhibition Public Parks, Private Gardens: Paris to Provence, on view at The Met Fifth Avenue March 6, 2018–July 29, 2018.

All Sight & Sound concerts are a co-presentation with MetLiveArts.

Tickets from $30, bring the kids for $1. Tickets may be purchased online at metmuseum.org/sightandsound, by calling The Met at 212.570.3949, or in person at The Great Hall box office at The Metropolitan Museum of Art at 5th Ave and 82nd St.

The Orchestra Now
The Orchestra Now (TŌN) is a group of some 80 vibrant young musicians from more than 12 different countries around the globe, whose goal is to make orchestral music relevant to 21st-century audiences. They are lifting the curtain on the musicians’ experience by sharing their unique personal insights in a welcoming environment. Hand-picked from hundreds of applicants from the world’s leading conservatories—including The Juilliard School, Shanghai Conservatory of Music, Royal Conservatory of Brussels, and the Curtis Institute of Music—the members of TŌN are not only rousing audiences with their critically acclaimed performances, but also enlightening curious minds by presenting on-stage introductions and demonstrations at concerts, offering program notes written from the musicians’ perspective, and connecting with patrons through one-on-one discussions during intermissions.

Conductor, educator, and music historian Leon Botstein founded TŌN in 2015 as a master’s degree program at Bard College, where he also serves as president. The Orchestra is in residence at Bard’s Richard B. Fisher Center for the Performing Arts, offering multiple concerts there each season as well as participating in the annual Bard Music Festival. The Orchestra also performs numerous concert series at major venues in New York, including Carnegie Hall, Lincoln Center, and The Metropolitan Museum of Art, as well as a schedule of free performances across New York City boroughs. TŌN has collaborated with many distinguished conductors, including Fabio Luisi, Neeme Järvi, Gerard Schwarz, and JoAnn Falletta.

For upcoming activities and more detailed information about the musicians, visit theorchestranow.org.

Leon Botstein
Leon Botstein brings a renowned career as both a conductor and educator to his role as music director of The Orchestra Now. He has been music director of the American Symphony Orchestra since 1992, artistic co-director of Bard SummerScape and the Bard Music Festival since their creation, and president of Bard College since 1975. He was the music director of the Jerusalem Symphony Orchestra from 2003–2011, and is now conductor laureate. This year, he assumes artistic directorship of Campus Grafenegg and Grafenegg Academy in Austria. Mr. Botstein is also a frequent guest conductor with orchestras around the globe, has made numerous recordings, and is a prolific author and music historian. He is the editor of the prestigious The Musical Quarterly, and has received many honors for his contributions to music. More info online at LeonBotstein.com.

Press Contacts:
Pascal Nadon
Pascal Nadon Communications
Phone: 646.234.7088
Email: pascal@pascalnadon.com

Mark Primoff
Associate Vice President of Communications
Bard College
Phone: 845.758.7412
Email: primoff@bard.edu

# # #

TŌN Romps With Weber and Mahler

The Millbrook Independent

“Carl Maria von Weber’s Concerto No. 1 for Clarinet and Orchestra still holds pride of place in the clarinet repertoire due to its wit, elegance, and superior writing for the clarinet, Weber’s favorite wind instrument. Elias Rodriguez, winner of TŌN’s 2017 Concerto Competition, played this dramatic and demanding piece with fierce finesse and casual aplomb.

Rodriguez handled the virtuoso dynamics of this piece with smooth acrobatic tone that exuded passion, beauty, and spanking, joking mischief, as this near-operatic program story demanded romance, successful courting, an objector to the marriage, and the objector being ejected from the wedding reception with a finale full of delirious merriment. Rodriguez was articulate, genial, and humorous in his introduction to this classic gem that appears to have dancing legs in any century.

Gustav Mahler’s Seventh Symphony offers a musical feast. If you wish to show off the talents of an orchestra, this is the masterpiece for the whole orchestra to aspire to. Leon Botstein successfully drew out the cheerful optimism of the rather orgasmic Allegro with brass blazing, bells ringing, and strings sweeping. Mahler’s Seventh is simply a breathtaking epic for all ages and the TŌN Orchestra delivered a powerful, memorable performance. I would have not missed this truly Olympic symphony for all the muscular Olympics of the world.” —Kevin T. McEneaney

Photo by David DeNee

The Promethean Enigmas

ConcertoNet.com

“Never in its three years of existence have the young musicians of The Orchestra Now sounded more vibrant, rarely has a vocal soloist been as convincing and expressive as the Canadian baritone Tyler Duncan. Yet this afternoon at The Metropolitan Museum of Art belonged solely to Leon Botstein.

. . . After the intermission, The Orchestra Now and the young Tyler Duncan got to work. Perhaps to the artists it was not a seamless performance, but in the audience, I was so stunned by hearing this live—with such an expressive baritone—that masterly was the only adjective.

Mr. Botstein was obviously so confident with Tyler Duncan’s work that he could devote himself entirely to the ensemble. The brass, the great bass drums, the toyshop winds and the best string ensemble I’ve heard from this group was not only a satisfying performance by The Orchestra Now, but a ravishing performance which balanced on the cusp of Shostakovich’s “Immortality”” —Harry Rolnick

Photo by David DeNee

THE ORCHESTRA NOW STARTS THE NEW YEAR WITH FOUR CONCERTS JANUARY 21 – FEBRUARY 18, 2018

Appearances Include Two NYC Performances:
A Program on Shostakovich and Michelangelo at The Metropolitan Museum of Art
And a Free Concert at Peter Norton Symphony Space

Plus Two Programs at the Fisher Center at Bard College
Featuring Gershwin’s American in Paris and Mahler’s 7th Symphony

Annandale-on Hudson, New York, January 10, 2018 – The Orchestra Now (TŌN) begins its winter season in New York City on January 21, when resident conductor Zachary Schwartzman leads a FREE concert including works by Sibelius and Rimsky-Korsakov at Peter Norton Symphony Space as part of the Orchestra’s family-friendly Around Town series. Music director Leon Botstein will conduct a second Manhattan performance on February 11: Shostakovich, Michelangelo, & the Artistic Conscience, the second installment in TŌN’s Sight & Sound series at The Metropolitan Museum of Art. The program will present Shostakovich’s Suite on Verses of Michelangelo in conjunction with The Met’s exhibition Michelangelo: Divine Draftsman and Designer. As with all Sight & Sound concerts, on-screen artworks are staged in a lively discussion alongside musical excerpts performed by the Orchestra, followed by a full performance and audience Q & A.

In addition, TŌN will give two programs as part of its residence at Bard College. Associate conductor James Bagwell will lead the Orchestra in Gershwin’s American in Paris together with works by Jennifer Higdon and Schumann on February 3-4. On February 17-18, Leon Botstein takes the podium for the tonal complexity of Mahler’s Seventh Symphony; Elias Rodriguez, winner of TŌN’s 2017 Concerto Competition, will be the soloist in Weber’s romantic Clarinet Concerto No. 1.

AROUND TOWN FREE CONCERTS, Peter Norton Symphony Space
Sibelius & Rimsky-Korsakov
Sun. Jan 21, 2018 at 4 pm
Zachary Schwartzman, conductor
Enescu: Romanian Rhapsody No. 1
Sibelius: The Swan of Tuonela
Rimsky-Korsakov: Capriccio espagnol
Einojuhani Rautavaara: Symphony No. 8, ‘The Journey’

This concert is a co-presentation with Peter Norton Symphony Space.

Tickets: All Around Town concerts are FREE, no tickets necessary. RSVP to show interest at symphonyspace.org or by calling 646.237.5034.

THE FISHER CENTER SERIES AT BARD COLLEGE, Sosnoff Theater
Gershwin’s An American in Paris
Sat. Feb 3, 2018 at 8 pm
Sun. Feb 4, 2018 at 2 pm
James Bagwell, conductor
Jennifer Higdon: blue cathedral
Gershwin: An American in Paris
Schumann: Symphony No. 2

Tickets, starting at $25, may be purchased by calling the box office at 845.758.7900, in person at the Fisher Center box office, or by visiting the website at fishercenter.bard.edu.

SIGHT & SOUND AT THE METROPOLITAN MUSEUM OF ART, The Grace Rainey Rogers Auditorium
Shostakovich, Michelangelo, & the Artistic Conscience
Sun. Feb 11, 2018 at 2 pm
Leon Botstein, conductor
Tyler Duncan, baritone
Shostakovich’s Suite on Verses of Michelangelo and the Artwork of Michelangelo & Others

To celebrate the 500th anniversary of Michelangelo’s birth, Shostakovich set 11 poems by the Renaissance master to music. This symphonic song cycle illuminates the timeless struggle of artists across the ages—from Michelangelo to Beethoven and Shostakovich himself—in their quest to remain free.

Presented in conjunction with the exhibition Michelangelo: Divine Draftsman and Designer, on view at The Met Fifth Avenue until February 12, 2018.

This concert will be streamed on Facebook Live via The Met’s Facebook page. All Sight & Sound concerts are a co-presentation with MetLiveArts.

Tickets, starting at $30, may be purchased online at metmuseum.org/sightandsound, by calling The Met at 212.570.3949, or in person at The Great Hall Box Office at The Metropolitan Museum of Art at 5th Ave and 82nd St.

THE FISHER CENTER SERIES AT BARD COLLEGE, Sosnoff Theater
Mahler’s Seventh Symphony
Sat. Feb 17, 2018 at 8 pm
Sun. Feb 18, 2018 at 2 pm
Leon Botstein, conductor
Elias Rodriguez, clarinet
Weber: Clarinet Concerto No. 1
Mahler: Symphony No. 7

Tickets, starting at $25, may be purchased by calling the box office at 845.758.7900, in person at the Fisher Center box office, or by visiting the website at fishercenter.bard.edu.

The Orchestra Now
The Orchestra Now (TŌN) is a group of some 80 vibrant young musicians from more than 12 different countries around the globe, whose goal is to make orchestral music relevant to 21st-century audiences. They are lifting the curtain on the musicians’ experience by sharing their unique personal insights in a welcoming environment. Hand-picked from hundreds of applicants from the world’s leading conservatories—including The Juilliard School, Shanghai Conservatory of Music, Royal Conservatory of Brussels, and the Curtis Institute of Music—the members of TŌN are not only rousing audiences with their critically acclaimed performances, but also enlightening curious minds by presenting on-stage introductions and demonstrations at concerts, offering program notes written from the musicians’ perspective, and connecting with patrons through one-on-one discussions during intermissions.

Conductor, educator, and music historian Leon Botstein founded TŌN in 2015 as a master’s degree program at Bard College, where he also serves as president. The Orchestra is in residence at Bard’s Richard B. Fisher Center for the Performing Arts, offering multiple concerts there each season as well as participating in the annual Bard Music Festival. The Orchestra also performs numerous concert series at major venues in New York, including Carnegie Hall, Lincoln Center, and The Metropolitan Museum of Art, as well as a schedule of free performances across New York City boroughs. TŌN has collaborated with many distinguished conductors, including Fabio Luisi, Neeme Järvi, Gerard Schwarz, and JoAnn Falletta.

For upcoming activities and more detailed information about the musicians, visit theorchestranow.org.

Leon Botstein
Leon Botstein brings a renowned career as both a conductor and educator to his role as music director of The Orchestra Now. He has been music director of the American Symphony Orchestra since 1992, artistic co-director of Bard SummerScape and the Bard Music Festival since their creation, and president of Bard College since 1975. He was the music director of the Jerusalem Symphony Orchestra from 2003–2011, and is now conductor laureate. This year, he assumes artistic directorship of the Grafenegg Academy in Austria. Mr. Botstein is also a frequent guest conductor with orchestras around the globe, has made numerous recordings, and is a prolific author and music historian. He is the editor of the prestigious The Musical Quarterly, and has received many honors for his contributions to music. More info online at LeonBotstein.com.

Press Contacts:
Pascal Nadon
Pascal Nadon Communications
Phone: 646.234.7088
Email: pascal@pascalnadon.com

Mark Primoff
Associate Vice President of Communications
Bard College
Phone: 845.758.7412
Email: primoff@bard.edu

Exhausted by Harmony, Schoenberg Found Atonality

The New York Times

“At the Metropolitan Museum of Art, the conductor Leon Botstein discussed Schoenberg’s “Erwartung” (“Expectation”), a one-act monodrama for soprano and orchestra, written in 1909, and led The Orchestra Now, an ensemble from Bard College (where Mr. Botstein is the president), and the soprano Kirsten Chambers in excerpts from the piece to illustrate his points.

Mr. Botstein began by describing both “Erwartung” and the paintings of Munch (the subject of a major exhibition at the museum’s Met Breuer space) as works of Expressionism. The Expressionists rejected conventional reality, he said, believing that individuals, including artists, create their own.

Calling “Erwartung” the “first Freudian opera,” Mr. Botstein played excerpts to illustrate the work’s restless, sometimes rootless harmonic language, the skittish interplay of contrapuntal lines, the composer’s use of recurring motifs and the tormented emotional cast of the music. He drew rich, expressive playing from the orchestra, and Ms. Chambers’s bright lyric soprano lent fragile innocence to her portrayal of the desperate Woman.” – Anthony Tommasini

Photo by David DeNee

Met Museum’s ‘Sight and Sound’ series returns with Leon Botstein and The Orchestra Now

amNewYork

“Most New Yorkers have seen “The Scream” by Edvard Munch, even if it was just on a poster in an angsty teen’s bedroom. Now The Metropolitan Museum of Art wants you to hear the spectral painting.

On Dec. 3, The Orchestra Now (TŌN) will kick off its third season of “Sight & Sound” concerts at the museum by pairing a discussion of Munch’s work with a performance of Arnold Schoenberg’s “Erwartung,” a one-act monodrama about a disoriented, possibly delusional, woman (soprano Kirsten Chambers) searching for her lover in a forest.

There are “integral connections” between the Norwegian painter and the Austrian composer, according to TŌN music director Leon Botstein. It is those links, “between art and music, between the visual and the auditory,” which drive this unique series.” – Cory Oldweiler

Photo by David DeNee

THE ORCHESTRA NOW (TŌN) GIVES SPECIAL PERFORMANCE AT ALICE TULLY HALL

JOANN FALLETTA CONDUCTS NYC PREMIERE OF PENDERECKI’S DOUBLE CONCERTO PLUS WORKS BY HOLST AND ADAMS THURSDAY, DECEMBER 14 AT 7:30 PM

New York, NY, November 27, 2017JoAnn Falletta, music director of the Buffalo Philharmonic Orchestra and the Virginia Symphony Orchestra, returns to guest conduct The Orchestra Now (TŌN) for the third consecutive year in a special concert at Lincoln Center’s Alice Tully Hall on December 14. The program will be highlighted by the NYC premiere of Penderecki’s Double Concerto with the BPO’s concertmaster and principal cellist, Dennis Kim and Roman Mekinulov, in addition to Holst’s celebrated The Planets and Adams’ popular Short Ride in a Fast Machine.

As with all TŌN concerts, the performance will be illuminated with brief remarks by TŌN’s enthusiastic musicians, many of whom will be on hand to speak with audience members during intermission.

TŌN at Lincoln Center’s Alice Tully Hall
Thu. Dec 14, 2017 at 7:30 pm
John Adams’ quite famous Short Ride in a Fast Machine, born from a quick ride in a friend’s impressive Italian sports car that Adams describes as “rather terrifying,” opens the concert with an exciting, orchestral fanfare set in the minimalist style for which Adams is well-known. The work was a commission celebrating the opening of the Great Woods Festival in Massachusetts in 1986. The next work, Penderecki’s Double Concerto, was dedicated to violinist, violist, and conductor Julian Rachlin, who suggested a piece in which he could play and record both solo parts on violin and viola, similar to Mozart’s Sinfonia Concertante. The piece premiered in fall 2012 and was later adapted for violin, cello, and orchestra, as performed by TŌN. The concert culminates in what the composer, Gustav Holst, referred to as a “series of mood pictures.” The Planets is a seven-movement orchestral suite written at the end of World War I. The work is based on the astrological character of each of the planets, excluding Earth and also Pluto, which had not yet been discovered (and was subsequently downgraded to a dwarf planet). The suite was originally scored as a piano duet, except for Neptune, which was scored for organ to attain the necessary mysterious tone Holst desired. However, Holst later scored the The Planets for orchestra, a format that launched its popularity.
The Orchestra Now
JoAnn Falletta, conductor
Dennis Kim, violin, concertmaster of the Buffalo Philharmonic Orchestra
Roman Mekinulov, cello, principal cellist of the Buffalo Philharmonic Orchestra
Bard Festival Chorale
Adams: Short Ride in a Fast Machine
Penderecki: Double Concerto (NYC Premiere)
Holst: The Planets

Tickets, starting at $25, may be purchased online at lincolncenter.org, by calling CenterCharge at 212.721.6500, or in person at the Alice Tully Hall box office on Broadway at 65th Street.

The Orchestra Now
The Orchestra Now (TŌN) is a group of some 80 vibrant young musicians from more than 12 different countries around the globe, whose goal is to make orchestral music relevant to 21st-century audiences. They are lifting the curtain on the musicians’ experience by sharing their unique personal insights in a welcoming environment. Hand-picked from hundreds of applicants from the world’s leading conservatories—including The Juilliard School, Shanghai Conservatory of Music, Royal Conservatory of Brussels, and the Curtis Institute of Music—the members of TŌN are not only rousing audiences with their critically acclaimed performances, but also enlightening curious minds by presenting on-stage introductions and demonstrations at concerts, offering program notes written from the musicians’ perspective, and connecting with patrons through one-on-one discussions during intermissions.

Conductor, educator, and music historian Leon Botstein founded TŌN in 2015 as a master’s degree program at Bard College, where he also serves as president. The Orchestra is in residence at Bard’s Richard B. Fisher Center for the Performing Arts, offering multiple concerts there each season as well as participating in the annual Bard Music Festival. The Orchestra also performs numerous concert series at major venues in New York, including Carnegie Hall, Lincoln Center, and The Metropolitan Museum of Art, as well as a schedule of free performances across New York City boroughs. TŌN has collaborated with many distinguished
conductors, including Fabio Luisi, Neeme Järvi, Gerard Schwarz, and JoAnn Falletta.

For upcoming activities and more detailed information about the musicians, visit theorchestranow.org.

JoAnn Falletta
JoAnn Falletta is music director of the Buffalo Philharmonic Orchestra and the Virginia Symphony Orchestra, and principal guest conductor of the Brevard Music Center. Upon her appointment to the Buffalo Philharmonic Orchestra in 1999, Maestro Falletta became the first female conductor to lead a major American ensemble. She has since been credited with bringing the BPO to a new level of national and international prominence, demonstrated by BPO performances on national broadcasts of NPR’s Performance Today, SymphonyCast, and international broadcasts through the European Broadcasting Union.

Ms. Falletta has guest conducted over a hundred orchestras in North America, and many of the most prominent orchestras in Europe, Asia, South America and Africa. In 2017–18 she will guest conduct orchestras in Japan, Mexico, Spain, Berlin, Ireland and across the US.

She has served as a Member of the National Council on the Arts, was recently elected as a member of the esteemed American Academy of Arts and Sciences, and is the recipient of many prestigious conducting awards. Her discs for the Naxos label have won two Grammy Awards and ten Grammy nominations. This season, she will be featured on Naxos recordings of music by Kodaly and Wagner with the Buffalo Philharmonic Orchestra, a recording of music of Franz Schreker with the Berlin Radio Symphony Orchestra, and her fifth world premiere disc of Kenneth Fuchs’ music with the London Symphony.

For more information, visit www.joannfalletta.com.

Press Contacts:
Pascal Nadon
Pascal Nadon Communications
Phone: 646.234.7088
Email: pascal@pascalnadon.com

Mark Primoff
Associate Vice President of Communications Bard College Phone: 845.758.7412
Email: primoff@bard.edu

# # #

THE ORCHESTRA NOW OPENS 3RD SEASON OF SIGHT & SOUND SERIES AT THE METROPOLITAN MUSEUM OF ART WITH SCHOENBERG, MUNCH & EXPRESSIONISM SUNDAY, DECEMBER 3 AT 2 PM

New York, NY, November 14, 2017 —  The Orchestra Now (TŌN) will open the third season of its popular Sight & Sound series at The Metropolitan Museum of Art on Sunday, December 3 at 2 PM. In a program titled Schoenberg, Munch & Expressionism, music director Leon Botstein will lead TŌN and Metropolitan Opera soprano Kirsten Chambers in an afternoon exploring the links between the composer’s music and artwork and the artworks of Edvard Munch. The program is presented in conjunction with Edvard Munch: Between the Clock and the Bed, on view at The Met Breuer from November 15, 2017 to February 4, 2018.

“By combining the extraordinary resources of The Met and its collections with the gifted musicians of The Orchestra Now, we are able to offer the series’ growing audience as well as these young artists an unparalleled opportunity to experience the music in a broader context,” said Limor Tomer, the Museum’s General Manager of Live Arts. “The excitement surrounding Sight & Sound is the validation of our concertgoers’ and visitors’ interest in this unique approach.”

The Sight & Sound series, with conductor and music historian Leon Botstein, explores the parallels between orchestral music and the visual arts. On-screen artworks are discussed alongside musical excerpts performed by the Orchestra, followed by a full performance and audience Q&A. Series programs follow below.

Sight & Sound: Schoenberg, Munch, & Expressionism
The Metropolitan Museum of Art, The Grace Rainey Rogers Auditorium
Sun. Dec 3, 2017 at 2 PM
Leon Botstein, conductor
Kirsten Chambers, soprano
Schoenberg’s Erwartung (“Expectation”) and the Artwork of Munch & Schoenberg
At the climax of Schoenberg’s compact operatic monodrama, a woman screams upon finding the dead body of her lover. The close connections between Schoenberg’s score and Munch’s symbolism—particularly his well-known work The Scream—extend beyond the composer’s expressionist music. The composer was also a painter, heavily influenced by Munch.

Tickets from $30, series from $75, Bring the Kids for $1. Tickets may be purchased online at metmuseum.org/sightandsound, by calling The Met at 212.570.3949, or in person at The Great Hall box office at The Metropolitan Museum of Art at 5th Ave and 82nd St.

The next Sight & Sound concerts are:
Shostakovich, Michelangelo, & the Artistic Conscience
Sun. Feb 11, 2018 at 2 PM
Leon Botstein, conductor
Tyler Duncan, baritone
Shostakovich’s Suite on Verses of Michelangelo and the artwork of Michelangelo & others
Debussy & French Painting: Beyond Realism
Sun. May 20, 2018 at 2 PM
Leon Botstein, conductor
Members of the Bard Festival Chorale
Debussy’s Nocturnes and the artwork of the French Impressionists

The Orchestra Now
The Orchestra Now (TŌN) is a group of some 80 vibrant young musicians from more than 12 different countries around the globe, whose goal is to make orchestral music relevant to 21st-century audiences. They are lifting the curtain on the musicians’ experience by sharing their unique personal insights in a welcoming environment. Hand-picked from hundreds of applicants from the world’s leading conservatories—including The Juilliard School, Shanghai Conservatory of Music, Royal Conservatory of Brussels, and the Curtis Institute of Music—the members of TŌN are not only rousing audiences with their critically acclaimed performances, but also enlightening curious minds by presenting on-stage introductions and demonstrations at concerts, offering program notes written from the musicians’ perspective, and connecting with patrons through one-on-one discussions during intermissions.

Conductor, educator, and music historian Leon Botstein founded TŌN in 2015 as a master’s degree program at Bard College, where he also serves as president. The Orchestra is in residence at Bard’s Richard B. Fisher Center for the Performing Arts, offering multiple concerts there each season as well as participating in the annual Bard Music Festival. The Orchestra also performs numerous concert series at major venues in New York, including Carnegie Hall, Lincoln Center, and The Metropolitan Museum of Art, as well as a schedule of free performances across New York City boroughs. TŌN has collaborated with many distinguished conductors, including Fabio Luisi, Neeme Järvi, Gerard Schwarz, and JoAnn Falletta.

For upcoming activities and more detailed information about the musicians, visit theorchestranow.org.

Leon Botstein
Leon Botstein brings a renowned career as both a conductor and educator to his role as music director of The Orchestra Now. He has been music director of the American Symphony Orchestra since 1992, artistic co-director of Bard SummerScape and the Bard Music Festival since their creation, and president of Bard College since 1975. He was the music director of the Jerusalem Symphony Orchestra from 2003–2011, and is now conductor laureate. In 2018, he will assume artistic directorship of the institute of Grafenegg, Austria. Mr. Botstein is also a frequent guest conductor with orchestras around the globe, has made numerous recordings, and is a prolific author and music historian. He is the editor of the prestigious The Musical Quarterly, and has received many honors for his contributions to music. More info online at LeonBotstein.com.

Press Contacts:
Pascal Nadon
Pascal Nadon Communications
Phone: 646.234.7088
Email: pascal@pascalnadon.com

Mark Primoff
Associate Vice President of Communications
Bard College
Phone: 845.758.7412
Email: primoff@bard.edu

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Don’t Miss The Orchestra Now

HuffPost

“On the musical engagement front, don’t miss The Orchestra Now (TŌN). Its noble aim is to make orchestral music relevant to 21st-century audiences, led by renowned conductor Leon Botstein.

The musicians are handpicked from the world’s leading conservatories and their performances, as evidenced by their recent Carnegie Hall rendition of Bernard Herrmann’s “Psycho Suite,” “Symphony No. 1” and Erich Korngold’s “Symphony in F. Sharp,” was dramatic and intense. TŌN is an opportunity to see talented musicians early in their careers.

What’s so impressive about the accomplished TŌN is its variety — upcoming concerts include Gershwin’s “An American in Paris” and Shostakovich’s “Michelangelo” — and occasional free concerts at Symphony Space on Manhattan’s Upper West Side.” – Fern Siegel

Photo by David DeNee