The New York Times: Abstraction in Music and Art

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“On Sunday, at the Metropolitan Museum of Art, Leon Botstein led The Orchestra Now in a program called “Abstraction in Music and Art,” tied to one of the Met’s current exhibitions. With just about 45 minutes of playing, this was more of a lecture than it was a traditional orchestral concert. But the stretches of commentary and the performances both had their moments.

Mr. Botstein delivered some learned, witty remarks (complete with slide show) on the aesthetic ties between Anton Webern, Morton Feldman and the visual art scenes of their respective eras. Webern’s “Six Pieces for Orchestra” was played sensitively, twice, both before and after the intermission.

Yet the real star of the show was the belated New York premiere of Feldman’s “Orchestra”: a nearly 20-minute work of drifting sublimity that predates the composer’s “Neither,” a one-act opera with a text by Samuel Beckett.

Mr. Botstein and the players did justice to the strangeness of “Orchestra.” A meditative mood prevailed through whisper-quiet passages and more formidable, massed ones. And the strings brought a sneaky sense of unease to the haunting melodic line that reappears throughout the work’s final minutes.” – Seth Colter Walls

Photo by David DeNee